For most of my working life, I could justify my creative work.
Writing helped job seekers understand their options. Design made complex material accessible. Instructional design gave learners a path through difficult content. Even when I wrote for myself — on Medium, on LinkedIn, in blog posts — I could explain it. It serves the audience. It builds the business. It helps someone.
There was always a reason. And as long as there was a reason, I didn’t have to sit with the question underneath it all: What if I just want to create?
When the Justification Disappears #
Then I stopped working in the traditional sense.
No clients. No students. No job seekers or career changers. No deliverables or deadlines. Just time, and the things I’d always wanted to do with it.
Writing. Creating. Designing. The things I’d been doing for decades, mostly in service of someone else’s goal.
And here’s what surprised me: without the justification, the creative work felt wrong. Not wrong in a moral sense, but wrong in the way that anything feels wrong when you can’t explain why you’re doing it. My husband is supportive, unfailingly so. He would never ask me to put down my work. But the question I couldn’t stop asking was my own: Why should I take time away from us to do something that only benefits me?
It sounds small. It wasn’t. That question quietly stalled me for longer than I’d like to admit.
The Narrative We Build Around Our Own Desires #
Here’s what I’ve come to understand: the story I was telling myself wasn’t really about my husband, or about time, or even about balance.
It was about permission.
I had spent years earning the right to create by making my creativity useful. Teaching made it justified. Coaching made it justified. Writing for an audience made it justified. And somewhere along the way, I had absorbed a belief I’d never consciously chosen: that creativity without a purpose outside yourself is indulgent. That doing something just because it’s yours is, at some level, selfish.
That belief is worth examining. Because it doesn’t hold up.
What “Selfish” Actually Means Here #
Selfish, in the way we usually mean it, describes taking something at someone else’s expense. Consuming more than your share. Prioritizing your wants in a way that harms the people around you.
But creating — writing, painting, designing, building, making something from nothing — doesn’t work that way. It doesn’t subtract from the people you love. In most cases, it adds to who you are when you’re with them. A person who has spent an hour doing work that genuinely matters to them shows up differently than one who has been quietly starving that part of themselves.
The “selfish” label, when we apply it to creative work, is usually not about harm. It’s about guilt. And guilt is worth investigating, because it almost always has a source, and the source almost always turns out to be a story, not a fact.
Guilt is worth investigating. It almost always has a source — and the source almost always turns out to be a story, not a fact.
The Built-In Justification We Miss #
What I didn’t see clearly, until I stopped working, was how much the structure of work had been doing for me.
When you have a job, or have clients, the justification is built in. You’re being paid. There’s a product. There’s an audience. The creativity happens inside a container that society already approves of, so you never have to defend it.
When that container disappears — when you retire, or step back, or intentionally create space for something new — the approval structure goes with it. And if you’ve never learned to create without external justification, you’ll find yourself stuck. Not for lack of desire. For lack of permission.
The permission that was always yours to give.
What You’re Actually Protecting #
Here’s the question I had to sit with: if I kept talking myself out of the creative work, what was I actually protecting?
Not my marriage. My husband wasn’t asking for that trade.
Not my time. The hours I wasn’t writing weren’t going somewhere more valuable. They were just going.
What I was protecting, I think, was the old identity. The one where I was useful. Where my creativity had a destination and a recipient and a reason. Letting go of that meant becoming someone who created for the sake of creating, and that felt more vulnerable than I expected.
It also felt more honest.
Doing It Anyway #
I’m done constructing reasons.
Not because the discomfort has fully disappeared, it hasn’t. But because I’ve looked closely enough at the story to stop believing it. The narrative that my creative work is a theft of time that belongs to someone else is a false one. I made it up. I can put it down.
Your version of this story might look different. Maybe yours isn’t about a partner, or about retirement, or about creative work specifically. Maybe it’s about the degree you’ve been thinking about for a decade. The business you’ve outlined and never started. The practice you keep postponing until the right season arrives.
The permission you’re waiting for isn’t coming from outside. It was never going to. The only question is what you’ll do now that you know that.
If you’re sitting with something you’ve been talking yourself out of, Your Values, Your Season can help you get honest about what you actually want — and what story has been standing in the way.